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Through The Hills Of Inishmore (Inis Mor)

cheynne murphy

The origins of this song were based on a bike ride around the Aran Island of Inishmore off the coast of Galway Bay Ireland. Spelt Inismor in gaelic I was told a story of how the people’s of this island originally colonised the ‘rock’ in the middle of the Atlantic by planting seeds into the seaweed. I believe the original inhabitants were of Celtic origin and were seeking some refuge from the Nordic peoples otherwise known as Vikings. The high cliffs on the island would provide good security from raiding parties. The island is also famous for its Aran wool and Aran sweaters. I stayed at a little B & B near the wharf, visited the fort ruins and happily had a cleansing ale at the nearby pub. The people here still speak Gaelic as an interchangeable language with English and when I sat down at the local pub everyone was speaking in ‘another language’. One of the ladies in a retail shop even shared that she had only been to the mainland a few times in her life. I thought of the connection of the people and this unique island and when I did the song Through the Hills of Inishmore came through. The footage is a combination of material I downloaded from the net as well as my own footage travelling around the island. I have overlayed some footage from my own hills behind Cabarita north of Byron Shire. Second video I’ve made on I-movie. Like a roughly made home made cookie I hope you enjoy the crumbles. I just wanted to try and connect some of the ideas or visuals I had in my head to the song. Bless.

In Honour of Samba Blissta Paul Barrett

cheynne murphy

Last week I was  saddened and upset to find out that an old musical and work acquaintance Paul Barrett passed away suddenly. I first met Paul in a work for the dole project called Musicoz I was running in Mullumbimby. He had just moved to the area and was trying to establish his colourful community drum project called The Samba Blissta's on the North Coast. He was a lovely man and we ended up sharing some music at his little house in South Golden Beach and made this recording together spontaneously. A shame his drum parts aren't louder. Its a song I will now call 'the voice', originally written at a time my sister was very sick during child birth and I will now also dedicate it to the spirit of Paul. I love you mate. 

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September News

cheynne murphy

Location of the writing of Celtic Heart - Abbey Glenn Castle

Location of the writing of Celtic Heart - Abbey Glenn Castle

Been busy as a mad hatter, managing three jobs , a gaggle of kids, bills etc., You know the usual. But I have to say inspired as hell. Collecting the new album Celtic Heart today from the printers. Only did a really short run, minimalistic artwork but very environmentally friendly and sounding I believe authentic and heartfelt. I had some lovely feedback from a musician who plays at this old castle Abbey Glenn where Celtic Heart was written and performed for the first time in a couple of memorable late night sessions with a motley Irish crew..you can checkout the scene here ( https://www.facebook.com/cheynnemurphymusic/ )..same guys there as when I was there but that's Ireland. Music is the source. It's entwined with their spirit and mine too. Yours as well.  

 

A couple of big things happening on the live front. First is a tour to Bellingen starting Oct 14 at an incredibly intimate and amazing sounding live performance space in Sawtell, Coffs Harbour called 63 First Avenue, then to Bellingen Markets, Federal Hotel Bellingen and home via Harbourside Markets. Here is a quick peak of a new ad they are running with one of my songs: https://www.youtube.com/watch?v=W6U9sdhLPZM

 

Also heading to China in October. My co-producer of the first Firesongs For The Soul EP recommended me to this University in 20 million strong Chongqing and I got the gig. The boys for the Bello tour were originally going but after some cancellations I rang up my very first band from 1992. They all thought about it but again two declined but my incredible guitarist /violinist Jay Kong said yes. A sequence of synchronistic events then led to Dave Atkins (Resin Dogs, Wolf Mother) agreeing to play drums, Ben Brennan (whom I haven't yet met but have passport photo :-) on bass (Seven) and Paul Pilsneniks keys and backing vox. So we are reinterpreting some songs from A Horse Called Freedom and also presenting a bunch of new songs in this kinda epic rock band thing!

 

Finally people, as I know you are all busy and may not get this far. This is the second track off Celtic Heart. It's called Through The Hills of Insihmor (also known as Inis Mor in Irish). Inishmore is an Aran Island off the coast of Galway and I cycled around this small rocky island smashed by the atlantic sea and winds, listened to the tourist speel in the old castle ruins, spoke to some gaelic/Irish fellows in the pub and constructed my own version of the spirit of the place here: https://soundcloud.com/cheynnemurphy/02-through-the-hills-of-inishmore

(with some help from Matt Connely Irish Pipes, Chris Aronston on Mandolin, violins)

 

Thanks for your support.

 

Adious. Be good. 

 

Cheynne

p.s Last time I asked people to send in songs inspiring them. Please do so again. This one had great spirit for me me: https://www.youtube.com/watch?v=dukZLjp1fDg

Celtic Heart Journey

cheynne murphy

So last year (2015) I journeyed over to Ireland. My Pa Murphy was born there and moved over to Australia and joined the Australian police force at the ripe age of 40 living in Randwick where dad grew up. Life was tough. He was born in a small pastoral farming area called Knocknageehe. One of 7 hungry children, his Mum Catherine died when he was a boy. In traditionalist catholic sects the father was not allowed to marry again so his father had to bring up all these kids alone in the cold pastures during the famine. The intro to my home made video captures the moment me, my Dad and two brothers found the house using I-phone sat nav. The song Celtic Heart accompanying the video acknowledges my Grandads story and also my ancestral link to the peoples of Ireland. 

We also visited one of my Grandad's sisters Sarah who is still alive (90 something) and living alone in a cottage on a family farm in Mullingar / Multyfarnham (with the support of her daughters and grandchildren) . Here we are catching up with Sarah:

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Here is a pic of my brother speaking to Jim Murphy about the future of the family farm and the possibility of turning it into a whiskey distillery. A reflective moment.

My brother and I reflected on this church imagery. About exorcising the demons that may travel through the ancestoral linage. An inner struggle from dark to light. Its in the Murphy line for sure and comes out in much of my music

I ended up playing with Buddy Holly's distant Irish relative on the streets of Galway until the early hours busking...it was really roots stuff. I snuck out from the house and got home 5am. Only had one more night on the streets and then the Irish flu smashed me!

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A big night out with my happy go lucky brothers sampling Galways finest in some pub with some rollicking music

I then contracted an Irish flew that literally floored me and I recovered by the fire of my good family 'god mother' Ena in Cork. She actually got a role in the home video of Celtic Heart as Pa's Mum "Catherine". Ironically I visited a doctor in Cork named Shane who diagnosed that I was indeed very sick.

I was still recovering but I ended up visiting the Aran Islands off Galway. A lyric to a new song called Through The Hills of Inishmore was inspired by these "cliffs that dropped to nowhere, black oceans deep" ...soon to be recorded

I must have started recovering at this point because I went for a swim in a bay on this island to sample the Atlantic Ocean.. twas cold as ice!

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Finally I caught a bus feeling lonely but happy and sad at the same time...listening to 'Into the Mystic' by Van Morrison and Astral Weeks had me in tears looking out at the countryside and thinking about Van writing this music in this country. 

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Had a happy ending, landing in this old castle I visited firstly with my Dad and brothers in Clifden. I met these very lovely old Irish ladies on the bus here who assured me I would have a wonderful time here. They had been visiting this place Abbyglen for 30 years which is now a hotel of sorts. It was a great coming out of the darkness after being so sick. I ended up playing Celtic Heart by the Piano one evening with resident pianist Barry Ryan with a throaty voice after writing it in the afternoon.. 

To be sure this journey will continue

I felt completion as I arrived at Dublin airport to head home and looked at the Horse Called Freedom on the wall. A full circle.

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The song Celtic Heart now appears on a new album dedicated to the spirit of our Celtic brothers and sisters. 

Through the Hills of Inishmore - recording notes

cheynne murphy

I am on the final stage of finishing a track call Through the Hills of Inis Mor. Last week at  SCU university where I work I met a fellow called Chris Sullivan who is doing a PHD on the Australian folk music tradition. Any way I asked him what he played and he said button concertina. When I left the conversation this song which I wrote about an island off Galway jumped into my head with the a concertina playing in it. I walked straight back got his number and we are doing it next week.! Here is a pic of the place.

Spinifex - dualing vocals....the 90's

cheynne murphy

Really enjoyed my creative journey in this old band Spinifex where I often share vocals with the drummer Carl and we used to write music as a band. You can tell because its not that commercial but I really like the feeling. Even the name of this track is weird: "Serengetti Feeling" because when I heard the music I had a vision of Africa and animals roaming the plans. The expansive feeling related to the music. 

Burnished Gold - Before and After

cheynne murphy

This was one of the first demo's of Burnished Gold (off A Horse called Freedom) with English ex-pat (and neighbour) Adrian on flute

This was the final demo emailed to the band and production team. We actually grabbed some of Toby's guitar form this take and put it into the final mix.

This is the first mix no edit...longer intro and lead break

Final album version 


ALBUM REVIEWS OF A HORSE CALLED FREEDOM

cheynne murphy

Feel free to add your own reviews or thoughts in comments. Some big words used but in the end of the day its just music :-)

Review Publication: Rhythms Magazine

Date: Jan/Feb 2015 edition

Author: Marty Jones

CHEYNNE MURPHY

A HORSE CALLED FREEDOM

CMI RECORDS

roots rock

Northern NSW local Cheynne Murphy delivers on the promise of his two EPs with a debut album that focuses on earnest singing and songcrafting. Remaining firmly within the boundaries of contemporary roots-rock, Murphy isn’t aiming at breaking new ground. He’s simply presenting the sounds and ideas as he hears them in his head with the help of some adroit playing from the likes of guitarist Toby Andrews, bassists Maurice Cernigoi and Matt Bone and drummer Mat Akehurst.

The album peaks early with smouldering centrepiece ballad, ‘Burnished Gold’, showcasing the shimmering production and instrumentation (consistent throughout the entire album). While Murphy occasionally wanders into prosaic territory lyrically, the arrangements and performances are accomplished and should appeal to fans of the Powderfinger and Pete Murray school of song based rock. Martin Jones

 Review Publication: Country Update Magazine

Distribution: 25,000

Date: Feb 2015 edition

Author: Gareth Hipwell

CHEYNNE MURPHY A HORSE CALLED FREEDOM Independent

The first full-length release from Byron Bay’s Cheynne Murphy, A Horse Called Freedom is a narrative record of sorts, loosely charting the travails and epiphanies of an introspective everyman as he makes his way in the world. Produced and engineered by Paul Pilsneniks (Angus Stone, Powderfinger) and featuring Matt Bone of Starboard Cannons on bass, A Horse Called Freedom is the evolutionary endpoint in a process begun with EPs Firesongs For the Soul I and II. Cheynne has embraced a full band here, and the resulting sound is true to the spirit of acts such as Crosby Stills Nash & Young, and America. Across the record, Cheynne engagingly clothes the meat and bones of a folk animal with the skin of a rock beast, pulling together folk-like lyrics, gentle percussion, and frequently chiming lead guitar to gently soaring effect. At once ambling and cinematic, the nostalgic ‘Burnished Gold’ is a wistful tale of a cowboy encountering a beautiful maiden (‘there’s an echoe in the canyon from a time long ago…’), while ‘Until It’s Gone’ is a portrait of loss painted in ashes, overgrown wildflowers, and misty rain. Title track ‘A Horse Called Freedom’ is inspired by the mythology of the First Americans, and combines uniquely Australian imagery with a building blues-rock mix: ‘I see a black cockatoo cross the sky, I’m gonna move my camp up a little higher.’ While his lyrics are consistently engaging, Cheynne is at his best when giving flight to an engaging vocal hook scaffolded by a pop-informed rock arrangement (‘Firebird’, ‘Good Feelings’). An impressive debut that captures a strong sense of movement and reflection. Gareth Hipwell

 

Review Publication: Fender Newsletter

Email subscribers: 3000

Date: October 2014

Author: Fender Australia

A HORSE CALLED FREEDOM

 Classic Aussie folk rock – soulful stories backed with big acoustic guitars, uplifting melodies, driving rhythms, and tasty guitar work.

In the tradition of other timeless homegrown artists – from Paul Kelly to Pete Murray, the Black Sorrows to the Waifs…catchy, original and unmistakably Australian.

Source: Fender Australia

 

Review Publication: Courier Mail

Date: Jan 31, 2015

Author: Noel Mengel

Distribution:

Total audience 693, 000, Circulation: 215, 000, Qld/NSW

Online: 3.2 million readers,  National

 

ROCK

CHEYNNE MURPHY

A Horse Called Freedom (Independent)

***

AUSTRALIAN songwriter Murphy knows music can be a tough game: He threw in a corporate career to pursue his music and after signing an international publishing deal saw it all come crashing down. He found peace in the foothills of Byron Bay while teaching university students about the pitfalls of the biz. His rediscovered love of songwriting has resulted in this 10-track album, which reveals a mature folk-rock style with a tight band including his long-time guitarist Toby Andrews. Lyrically, the focus is on surviving to fight another day in a philosophical song cycle which celebrates the joys of a simpler life. Subtext: you better do this because you love it, because it can tear you apart. Burnished Gold is one of the best tracks with its imagery of an old coin uncovered in a canyon and the title tune takes inspiration from the warrior imagery of the Richard Harris film A Man Called Horse. Elsewhere some overused metaphors slip through, but songs like Good Feelings, a powerful folk-rock track with sighing harmonies and evocative guitar from Andrews, show how deep the fire still burns.

Noel Mengel

Samoan dreaming

cheynne murphy

Would like to thank Mr Alex Slade, surf adventurer, Samoan travel friend who has quickly whipped up a thumbnail for the demo song “The Mission” which was written after an epic journey into the jungles of Samoa, down a 4WD horse track (with locals horse riding to remote village locations), landing at the base in front of a bay of stunning, iridescent magnificence and then we paddle and walk across rocks to this beautiful ‘secret surf spot’ with a backdrop that would inspire Robert Louie Stevenson aka Treasure Island …on day 1 of our Samoan trip…very beautiful indeed

Sladey's quick mockup for the song below!

Sladey's quick mockup for the song below!

The Mission...somewhere in Samoa Day 1

The Mission...somewhere in Samoa Day 1